Djuna Barnes documents:This collection is available to the general public and is employed in the Special Collections reading room

Djuna Barnes documents:This collection is available to the general public and is employed in the Special Collections reading room

Utilize and Access to Collection

Scientists must register and accept copyright and privacy regulations before by using this collection.

Because of the condition associated with collection, users will access the microfilm surrogate for Series I-IV. Authorization to look at the initial documents must be submitted to Special Collections and University Archives prior to your see. Initial pieces of art in Series VIII are delicate as they are consulted just by appointment.

Duplication and Copyright Information

Photocopies or surrogates that are digital be supplied relative to Special Collections and University Archives duplication policy.

Copyright resides using the creators associated with the papers or their heirs unless otherwise specified. It’s the researcher’s obligation to secure authorization to create materials through the copyright holder that is appropriate.

Inquiries about authorization to create the ongoing works of Djuna Barnes should really be directed to your Authors League Fund, 155 Water Street, #206, Brooklyn, NY 11201 Tel: 212-268-1208, Fax: 212-564-5363 e-mail: staff@authorsleaguefund.org.

Archival materials may include materials with painful and sensitive or private information that is protected under federal and/or state right to privacy laws and regulations or other laws. Although we make an excellent faith work to determine and take away such materials, some can be missed during our processing. If your researcher discovers sensitive and painful information that is personal a collection, please carry it to your attention associated with the reading space staff.

102.00 Linear Feet

Extra Description

Scope and Information of Collection

Noted journalist and author that is avant-garde Barnes was created in Cornwall-on-Hudson, ny, on June 12, 1892, the next youngster and just child of Wald and Elizabeth Chappell Barnes. Barnes learned art during the Pratt Institute (1912-1913) and also at the creative Art scholar’s League of brand new York (1915-1916).

In 1913, she started being employed as a freelance journalist and illustrator for the Brooklyn regular Eagle and ended up being quickly composing and illustrating features and interviews when it comes to ny Morning Telegraph , the latest York Press , together with ny Sun , among other magazines. During this time period, she became active in the bohemian artistic milieu of Greenwich Village. She had written poetry ( The Book of Repulsive Women , posted in 1915) and lots of brief performs (“Three From our planet,”? “Kurzy for the Sea,” and “An Irish Triangle”), that have been made by the Provincetown Players in 1919 and 1920.

In 1921, Barnes travelled to European countries, then invested the majority of the next two decades in England and France. She published features and interviews for Vanity Fair , McCall’s , Charm , and Smart Set , a column that is regular Theatre Guild Magazine , and poems and tales for literary publications such as for example Dial , transition , and Transatlantic Review . Her book-length writings in this period include a number of her brief stories, performs, and poems, A Book (1923) , that was revised and republished in 1929 as per night on the list of Horses , the Ladies that is satirical Almanack1928), and two novels, Ryder (1928) and Nightwood (1936). Regarded by many critics as her masterpiece, Nightwood ended up being affected by Barnes’s event with Thelma Wood. The novel had been written beneath the patronage of Peggy Guggenheim and championed by T. S. Eliot, Barnes’s editor at Faber and Faber.

In 1939, Barnes returned to the United States, and, in September 1940, she moved into an apartment at 5 Patchin Place in Greenwich Village, where she res >The Antiphon (1958), which was produced in Sweden in 1961 in a version co-translated by United Nations’ secretary Dag Hammarskjold october. Another assortment of her stories that are short Spillway , had been posted in 1962, the season for which Selected Works ( Spillway , The Antiphon , and Nightwood ), showed up. Throughout the 1960s and 1970s, Barnes additionally wrote poetry that is much though little ended up being posted. Her last work had been the verse menagerie Creatures within an Alphabet (1982). Barnes passed away in new york on 18, 1982, at the age of ninety june.


Custodial History and Acquisition Information

Location and existence of Copies

Associated Material

Materials pertaining to the Papers of Djuna Barnes held Special Collections consist of the Barnes Family Papers, the Papers of Saxon Barnes, the Papers of Elsa von Freytag-Loringhoven, the Papers of James Stern, the Irwin Cohen Collection, the Papers of Phillip Herring, the Chester web Page Collection, the Papers of Andrew Field, as well as the Papers of Frances McCullough. an uniqure recording of barnes reading from The Antiphon , produced by Chester Page in April 1971and acquired with all the McCullough documents, can be obtained at http://sharestream.lib.umd.edu/ssdcms/i.do?u=f36bb9c39448490. Crucial communication of Barnes with Emily Coleman is within the Emily Holmes Coleman Papers during the University of Delaware Library, Newark, Delaware.

The Rare Books Department has curatorial obligation for the part of Barnes’s individual collection which was obtained along with her documents. The Barnes’s collection contains over 1100 games and it is available through the University of Maryland Libraries’ online catalog. Please see the description in Series 9: Library to find out more.

Processing Information

The Barnes papers have been processed numerous times in largely piecemeal fashion since its acquisition by the University of Maryland. Into the springtime of 1996, all the collection except the photographs and art underwent major reprocessing. This effort included making a brand new group of family members and private documents and merging the 2 alphabetical runs of communication. Materials previously into the “Typescripts, web page proofs, scripts,” “Publications,” and “Appendix B: Laminated Papers” were brought together into a single “Writings” series. Other work included integrating the unprocessed addenda associated with collection (previously “Appendix A”) into existing show and combining the “Clippings,” “Pamphlets,” and far associated with “Miscellaneous” series into an individual “Printed Matter” series. In Fall 1996, a brand new show, “Serial Publications,” is made. “Book Catalogs” formerly found beneath the “Printed Matter” series were relocated into “Serial magazines.”

In 1998, the rest of unprocessed products had been incorporated into the collection. Additionally, the photograph and art appendices had been converted to show and renumbered and rearranged as necessary. Part VI, Cards, and Section type an essay for me VII, Printing Blocks, had been put into the art show. The Barnes pen and ink drawings donated in 1997 had been additionally included to the creative art show. In November 2000, products obtained from the dealer had been incorporated into the collection.

In 2001, preparations to microfilm the first four series of the collection began, including some reprocessing july. Significant time ended up being specialized in dating materials that are previously undated reorganizing the materials appropriately. In Series II, Correspondence, there clearly was a basic apply for each letter of this alphabet that included communication from numerous indiv >Djuna Barnes: A Bibliography (Rhinebeck, N.Y.: D. Lewis, 1975).

The arrangement of Series IV, Printed thing, had been discarded only at that time; “On Barnes” became “About Barnes”; “On Barnes’s Writings” happens to be en en titled “About Barnes’s Writings”; and “On people” and “Other” had been combined to form “Collected by Barnes.” Things within six of this eight “miscellaneous” files had been grouped together under headings, such as for instance guide reviews and wellness, and arranged alphabetically under “Collected by Barnes.” In addition, English translations of articles had been reunited using their language originals.

An effort ended up being designed to bring some purchase to Barnes’s poetry. Whenever feasible, materials within each folder had been put into chronological order, and fragments positioned in “Poems, Fragments” which were maybe maybe perhaps not poetry-related had been relocated to “Notes, Miscellaneous fragments.” Many significantly, the poems in “Early Poems” had been partioned into specific folder by title and incorporated into the alphabetical schema associated with the show.


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